Warhol Musical?

Theater review: ‘Pop!’ paints bold portrait of Warhol and his inner circle

By , Published: July 19

Absence is a tough concept to cover in a musical. We are far more conditioned for characters to sing to fill a void than for their melodic personalities to hover, enigmatically, in a theater’s negative space.

So for its novelty alone, Maggie-Kate Coleman and Anna K. Jacobs’s “Pop!” — a 90-minute musical tumble down the curious rabbit hole of artist Andy Warhol — is an intriguing and on occasion rousing evening, a bold and inventive attempt to give tuneful form to Warhol’s obsessive pursuit of the mundane.

( Linda Davidson / THE WASHINGTON POST ) – Tom Story takes full advantage of his role as the submissive-seeming Andy Warhol in “Pop!”

“Nothing gets noticed. Nothing is a story,” Warhol sings late in the proceedings at Studio Theatre, in the guise of actor Tom Story, his hair bleached and parted in trademark Warhol fashion. The idea that nothing is everything and everything is nothing is reinforced from the start of Studio’s 2ndStage production — skillfully assembled by director Keith Alan Baker — when Story, languorously examining a brown paper lunch bag, sings of its magical properties: